Dialogue and movement in films and shows is so damn well rehearsed that I can never truly get immersed. Real conversations are awkward. We stutter. We fumble words. We forget people’s names, or what we were just talking about. Never for dramatic reasons. Just because we’re human. Script writers are hyper focused on fitting as much wit and humor as they can jam in there. I think some authors of books fall into the same trap. A 16 year old character somehow has the wit and wisdom of someone twice their age. I want more scenes made with genuine stumbling embarrassing awkwardness.
You know those moments where later people learn that the actor improvised the line? Or the movements? Best one I ever saw was Heath Ledger’s Joker failing to blow up the hospital.
[ He turns around. Well shit. Looks back at the device and mashes the button a few more times. Hospital finally blows up and he gets startled. ]
THAT’S THE SHIT. Give me more of that. Let me see the characters fuck up. Get uncomfortable. Make genuinely minor mistakes. Give me flaws. Give me something that isn’t witty. I’m tired of getting bashed over the head with polished scripts.
Animated movies tend to do this better to be fair. Lots to appreciate from the recent animated Spiderman movies for example.
Hah that’s why I love Adventure Time
Takeshi Kitano is a Japanese director that likes to film actors when they are rehearsing scenes and then sometimes edits in those cuts as they feel more natural, he mostly does Japanese films but he did do an American gangster film called Brother, check it out
More LGBT+ relationships that aren’t the entire fucking plot of the movie. I wish relationships would develop around the plot narrative like we see heteronormative romances portrayed in action/thriller/etc movies. Right now we only really have movies where the entire fucking plot revolves around how gay someone is and their struggle with being gay and AcCePtInG tHeMsElVeS. It’s becoming trope-y and stale.
I just want to be pleasantly surprised someone’s LGBT+ in a movie and have the plot move on without fanfare like it would for a straight romance.