Like most Nolan films, it is pseudo-intellectual tripe that allows people to think they’re smart because they can follow the plot of a simple Hollywood blockbuster produced for the lowest common denominator. Its cinematography is like they’re making a tiktok to hold your atrophied attention span.
The fact that you refer to the plot as ‘the most important and impressive complex storyline ever’ portrays your age, how little film you watch, and probably why we shouldn’t believe your take on either Barbie, Oppenheimer, or anything else.
An important and complex storyline can still be executed awfully either in writing or cinematography. But you gotta have at least a somewhat under the average IQ to understand that.
Well I’ve whatched it’s really good. If you don’t understand people like west Anderson and directors in the same category I really wonder if you think this movie was bad
It’s not about the movie(s) in question, it is a general statement. Saying a movie is automatically good because the underlying story is good or worth telling is denouncing so many factors that play into making a movie a good movie.
PatFussy was only pointing out that the cutting was terrible (I haven’t seen the movie itself so I cannot judge it) and too fast paced. This is something that can absolutely ruin an otherwise great movie and make it unbearable to watch. The story, the script, the dialogue, the acting, the effects, the cutting, the lighting, the sound and soundtrack- all these things (and many more) are individually important and only when everything works well together a movie can be good (doesn’t automatically mean it is a good movie).
Is Oppenheimer a story worth being told? Probably. Most stories are. Has it been told in a well executed way? I don’t know, and also this is a highly personal matter of taste. If someone thinks the cutting is epileptic then that’s a valid opinion that has nothing to do with their intelligence, not understanding a movie, or having an unsophisticated taste in cinema.
As a side note, putting “West” Anderson in a category with Christopher Nolan is ridiculous. One makes arty, more indie movies with rather obscure storylines that rely heavily on the script and dialogue, while the other makes grand style blockbuster action movies. Except for both of them being famous and making movies, the difference could not be vaster.
Wow, one has one of the most important and impressive complex storyline ever.
The other one slightly defies gender roles and they rush the end…
Shit I liked them both, but if you don’t like Oppenheimer it might be BC your IQ sits under the requirements man.
Edit: I’m sorry for you guys :(, the world must be so simple too you I kinda admire it
Like most Nolan films, it is pseudo-intellectual tripe that allows people to think they’re smart because they can follow the plot of a simple Hollywood blockbuster produced for the lowest common denominator. Its cinematography is like they’re making a tiktok to hold your atrophied attention span.
The fact that you refer to the plot as ‘the most important and impressive complex storyline ever’ portrays your age, how little film you watch, and probably why we shouldn’t believe your take on either Barbie, Oppenheimer, or anything else.
An important and complex storyline can still be executed awfully either in writing or cinematography. But you gotta have at least a somewhat under the average IQ to understand that.
Well I’ve whatched it’s really good. If you don’t understand people like west Anderson and directors in the same category I really wonder if you think this movie was bad
It’s not about the movie(s) in question, it is a general statement. Saying a movie is automatically good because the underlying story is good or worth telling is denouncing so many factors that play into making a movie a good movie. PatFussy was only pointing out that the cutting was terrible (I haven’t seen the movie itself so I cannot judge it) and too fast paced. This is something that can absolutely ruin an otherwise great movie and make it unbearable to watch. The story, the script, the dialogue, the acting, the effects, the cutting, the lighting, the sound and soundtrack- all these things (and many more) are individually important and only when everything works well together a movie can be good (doesn’t automatically mean it is a good movie). Is Oppenheimer a story worth being told? Probably. Most stories are. Has it been told in a well executed way? I don’t know, and also this is a highly personal matter of taste. If someone thinks the cutting is epileptic then that’s a valid opinion that has nothing to do with their intelligence, not understanding a movie, or having an unsophisticated taste in cinema.
As a side note, putting “West” Anderson in a category with Christopher Nolan is ridiculous. One makes arty, more indie movies with rather obscure storylines that rely heavily on the script and dialogue, while the other makes grand style blockbuster action movies. Except for both of them being famous and making movies, the difference could not be vaster.
“West Anderson” LMAO
“To be fair, you need a pretty high IQ to watch rick and morty”
If you think opp was intellectual you’re the self-important mediocre schlub it was meant to impress