FLAC still cuts out part of the signal. It’s limited to 20khz.
Bhat’s typically well above the limit of an adults hearing, especially someone old enough with enough money and equipment to be considered an audiophile.
No, it doesn’t. Digital PCM audio, as a concept, can only represent frequencies up to the sample rate used. Which can be anything. Typically 44kHz.
Going above that is pointless as humans are unable to perceive the ultrasonic frequencues that would unnecessarily include.
Lossless doesn’t mean “perfect recording”. By that logic lossless images or videos aren’t lossless, because they don’t include an infinite amount of pixels between every pixel, representing every photon that was captured.
Lossless refers to data-retention, not reality retention.
Even uncompressed audio cuts out frequencies. With digital audio capture it is impossible to capture everything. There will always be a floor and a ceiling. In the case of flac it’s typically 20-24hkz.
Audiophiles have moved onto “high res lossless” because regular lossless wasn’t good enough for them.
The “high res lossless” you’re referring to, is still FLAC. FLAC has no downside. Whatever PCM audio you want, it can represent perfectly, while using less storage.
FLAC doesn’t “limit” or “cut out” anything unless you or the software you’re using is reducing the bit depth or samplerate of the source PCM waveform.
Which is something you might want to do, since it will reduce file size significantly to not use a higher samplerate than necessary. But FLAC itself doesn’t do or require that.
On new formats, you might be thinking of MQA, which supposedly encodes the contents of a higher samplerate PCM waveform into a lower samplerate file, but it has been proven to be largely snake oil, and lossy as hell in terms of bit integrity.
FLAC still cuts out part of the signal. It’s limited to 20khz.
Bhat’s typically well above the limit of an adults hearing, especially someone old enough with enough money and equipment to be considered an audiophile.
No, it doesn’t. Digital PCM audio, as a concept, can only represent frequencies up to the sample rate used. Which can be anything. Typically 44kHz.
Going above that is pointless as humans are unable to perceive the ultrasonic frequencues that would unnecessarily include.
Lossless doesn’t mean “perfect recording”. By that logic lossless images or videos aren’t lossless, because they don’t include an infinite amount of pixels between every pixel, representing every photon that was captured.
Lossless refers to data-retention, not reality retention.
No its not lol
Even uncompressed audio cuts out frequencies. With digital audio capture it is impossible to capture everything. There will always be a floor and a ceiling. In the case of flac it’s typically 20-24hkz.
Audiophiles have moved onto “high res lossless” because regular lossless wasn’t good enough for them.
The “high res lossless” you’re referring to, is still FLAC. FLAC has no downside. Whatever PCM audio you want, it can represent perfectly, while using less storage.
FLAC doesn’t “limit” or “cut out” anything unless you or the software you’re using is reducing the bit depth or samplerate of the source PCM waveform.
Which is something you might want to do, since it will reduce file size significantly to not use a higher samplerate than necessary. But FLAC itself doesn’t do or require that.
On new formats, you might be thinking of MQA, which supposedly encodes the contents of a higher samplerate PCM waveform into a lower samplerate file, but it has been proven to be largely snake oil, and lossy as hell in terms of bit integrity.