Budget: $120 million [source]
Opening weekend gross: $4 million
Factoring in marketing costs and the theaters taking their cut of the profits, Megalopolis would need to make at least $300 million to break even. I think it’s safe to say that’s not happening.
It would have been THE worst opening for a $100 million movie ever, had it not been for Pluto Nash’s horriffic opening 22 years ago.
Even The New York Times is reporting near-empty screenings of Megalopolis!
Pluto Nash deserved better tbh
I was honestly surprised it was out already. I’ve seen a few memes about it the past few months, but my theater hasn’t even run the trailer. It’s also not even in their coming soon listing, which it should be considering it’s supposedly releasing in december here in the Netherlands.
I doubt they’re bothering to run it at all with the reception this got so far. Not unless it manages to capture a ‘so bad you gotta see this train wreck’ cult status between now and december…
Coppola made like two and half good movies and then he kept going and none of them have been good since. He’s kinda like George Lucas, only not as good at merchandising.
This had such a stilted release this is hardly indicitive of quality. Everywhere got this movie at different times and also saw it pop culture for a few months in the run like it was already out.
So far.
“… so you see, Borderlands is actually doing just fine in its theatrical release.” -Randy Pitchford
The Rifftracks version of this movie is going to be so fire.
Yes!!!
This is the first time I’m hearing about this movie, likely terrible advertising plan
Really? I’ve been hearing about it for months. It was having trouble finding a distributor for theaters, despite the budget and the star power, which was seen as a bad sign. It’s being marketed as Francis Ford Coppola’s last big budget movie.
Are these Studios just getting ripped off by marketing? I literally never saw an ad for this. The first time I saw a trailer for this film was in an article about how bad it was bombing. Where was all the marketing money going?
Every second or third post on Lemmy is about privacy or ad-blocking or piracy or pi-holes or bitching about ad injection.
Not that any of that is a bad thing. (The bitching isn’t bad, the things are.)
But you can’t be surprised when you don’t hear about shit. When you reclaim your eye-holes from Madison avenue you need to seek things out.
yeah but this is a movie, not a product. we usually hear about them from people, not necessarily ads. we might not see many ads but other people we talk to and hear from do, and practically no one in my life and media consumption talks about it. compare that to Barbie.
Talking to other people is part of what I mean by seeking things out. If you do all you can to avoid ads, along with the 99% that are useless you also block the 1% that you might actually find useful.
For example; I recently heard about this show from a friend that is right up my alley. When I looked up a trailer it’s the kind of thing that seeing a commercial once would have caught my eye and ensured I watch it. She was surprised I hadn’t heard of it because it’s on a network with a few shows she knows I like and they’ve been pimping it pretty hard for a while. Because I block the bullshit I either have to hope cool stuff comes up in conversation or seek out new stuff elsewhere.
I’m not sure where on Earth you got the impression that I only consume media through Lemmy.
I’m not sure where on earth you got the impression that I thought that.
On Lemmy.
Where on lemmy did I suggest that?
The trailer made it seem like the kind of pretentiously boring mess that the director seemed to think had some profound message that I tend to really dislike.
Or put more simply, “Looks like the director set $120 million on fire to win Oscars, not make something entertaining.”
From what I’m hearing, one of the antagonists is a thinly veiled Rupert Murdoch. Sounds like $120 million to pretentiously explain that Fox News is bad to an audience who figured that out two decades ago.
Thinly veiled Rupert Murdoch?
Bah, 007 did it 27 years ago.
I really wanted Megalopolis to be good, but I never had high hopes for it. I’ll probably still watch it eventually because it has a bunch of actors in it that I love + I’m a sucker for future megacities in movies and games (I’m still not over the fact that they cancelled the Star Wars game that was supposed to take place on the lower levels of Coruscant)
I still don’t know if it was overly pretentious garbage or an enlightening allegory of the current state of the world. But watching it was definitely an experience. The cast is great, and I found it visually beautiful and interesting.
I liked it. It was kind of a mess, but it was interesting, thought provoking, and visually very good. As much as there are improvements that could be made or changes to make it more palatable to a wider audience, I’d prefer the weird way it is, and especially movies like this over the next Disney/Corporate Movie Product TM
I think its firmly both. There are a lot of great ideas in the movie, and they come across really well when you discuss it. But its also a mess of a film that cares more about allegory and metaphor than narrative.
But its also a mess of a film that cares more about allegory and metaphor than narrative.
So…a Terrence Malick film?
The Thin Red Line had a pretty straightforward narrative: dudes getting shot and blowed up.
The worst part about this movie is you can’t even see the original in search results anymore. Like it never existed.
Are matey, I’m sure it’s out there somewhere, I gottit
I had to add original to get it to come up before 3 pages deep. 😟
Adam Driver?
The one, the only.
Has he made a good movie in the last 30 years? I loved Dracula but I can’t think of anything since then
Promotional campaign brought to you by the same team that worked on Concord.
No shit, had seen only one weird trailer for this movie before it came out.
